We have a team of producers, cinematographers, editors, lighting techs and graphics specialists that are ready to work with you from concept to post-production. Whether you are just working on an initial idea or you know exactly what you want, our one-stop studio can take care of all of your needs.
RED Epic-M Camera Package
- Red Epic-M 642
- Bomb EVF
- 5″ Touchscreen LCD
- DSMC Side Handle
- 4x 128GB Red SSD
- 8x RedVolt Batteries
- 4x V-Mount Batteries w/ Mount
- O’Connor O-Box Matte Box (19mm or LWS)
- O’Connor O-Grip Handheld System w/ Arri Dovetail Shoulder Pad
- O’Connor 1030D Fluid Head w/ 30L Sticks
- Glidecam Gold System (Supports Cameras up to 50lb)
- Paralinx + Wireless Video Transmitter (HDMI & HDSDI)
- MicroRemote Wireless Follow Focus System
- Kessler Crane 3-axis Revolution Head
- 3′ CineSlider w/ Motor (Great for motion time-lapses)
- MKH 416 Shotgun Mic
- Boom pole w/ pistol grip
- Blimp & Deadcat
- Wireless lavalier microphone system
Lighting & Grip
- Arri Softkit Tungstan Package (4x 750w Arri Lights)
- 4 Bank KinoFlo 4′ (Daylight & Tungsten)
DIT & POST PRODUCTION
- Fully Loaded MacBookPro Retina Laptop
- Thunderbolt RedRocket Enclosure
- LTO 5 Tape Drive System
- 2x Mini 1TB Raid 1 Enclosures
Our colorists combine their creative skill sets with the endless power of DaVinci Resolve to provide to our clients with unparalleled creative power in the color grading. We handle everything from P3 color space and film emulation LUTs for Digital Intermediate Theaters, to REC.709 grading for Broadcast and Television.
Feel free to contact us for a complimentary demonstration with your footage with one of our colorist.
RED & Digital Workflow
With numerous productions shot with the RED camera, we are able to offer you a flexible and simple workflow to give you a finished product of the utmost quality. Our color correction suite utilizes the state-of-the-art DaVinci Resolve system. With its unprecedented feature set, our clients have the power of many new and innovative color tools, REDCODE RAW functionality, limitless ”power windows”, sophisticated color isolation and much more. We believe you should view your images at their best, so you’ll have the option of working in full 2K.
Our editors provide outstanding creativity and lightning fast turnaround. We support all Standard Definition and Hi-Definition formats utilizing industry standard tools Final Cut Pro and Avid, with final delivery in any distribution standard.
Digital Media Mastering
From DCP encoding and color space conversions to final archive elements. We can help you prepare your content for delivery for the web or for theatrical distribution.
- Digital Cinema Packaging
- Color Space & file conversions
- Data archive and back-up
- HD Mastering
- Digital Delivery Encoding
- Tape & File-based duplication